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Global Lens 2013 film: "CAIRO 678"

Thu, Sep 19, 2013 starting at 6:30 PM - 8:00 PM

Enjoy free viewing of films from around the world, sponsored by Parkland Art Gallery 

The Global Lens 2013 film series—a showcase of critically acclaimed narrative feature films—will screen selected movies at Parkland College this fall. The free series is sponsored by the Parkland Art Gallery and Office of Institutional Advancement. Films will be shown in Room C118 at 6:30 p.m. on the following days; enjoy theatre-style seating and free popcorn.
Global Lens is an annual touring film series launched in 2003 by the Global Film Initiative to support the distribution of exceptional cinematic works from around the world. To learn more, visit www.globalfilm.org.
Thursday, Sept. 19
92 minutes, Chile, in Spanish, with subtitles in English
Life and death come wrapped in a mutual embrace, both absurd and poignant, in this smart comedy about an unlikely friendship between a grieving cinematographer and a morbidly obsessed drifter. At work on a seriously schlocky, low-budget horror film, Gaspar is still reeling from the untimely death of his beloved older brother when he meets Alvaro at yet another premature funeral. A mildly sociopathic young man with an unyielding curiosity for the dark side, Alvaro soon coaxes Gaspar out of his shell in unexpected ways, in a debut film that pulses with a sure cinematic style as it channels a compassionate vision of frail, formidable, unforgettable lives.

Thursday, Oct. 10
115 minutes, Serbia, in Serbo-Croatian, with subtitles in English
A group of gay activists in Belgrade strikes a tense alliance with Limun, a Serbian crime boss, whose fiancée demands an extravagant wedding that only struggling gay theater director Mirko and his friends can provide. In exchange, macho Limun reluctantly agrees to provide security for the group’s Pride parade. It’s a tall order: previous attempts to march met with mass violence from right-wing skinheads. When Limun’s gang balks at the assignment, he recruits a band of former Balkan war combatants, now dear friends, who will stand up to the aggressors Seven Samurai style, in this rollickingly shrewd and humane comedic take on a vital human rights issue.

Tuesday, Oct. 29
90 minutes, Mexico, in Spanish, with subtitles in English
Move over Ed Wood! Mexico’s half-forgotten B-movie master, “involuntary surrealist” Juan Orol, receives a pitch-perfect tribute in this irresistible love letter to a self-made man of showbiz, whose career spanned nearly sixty films. In a glorious black-and-white flashback mingling movie-tainted memories of his Galician childhood, forced exile to Cuba and arrival in Mexico, intrepid “Juanito“ pursues failed careers as baseball player, boxer, bullfighter and gangster before landing in the movies—where failure kind of works for him. As Orol, Roberto Sosa exudes droll underdog charm, anchoring a fast-moving comedy where every frame is an infectious homage to a golden age of cinema, the wile of memory and the art of fantasy.

ABOUT 111 GIRLS (Darbare 111 Dokhtar), dir. by Nahid Ghobadi and Bijan Zamanpira
Thursday, Nov. 7
79 minutes, Iraq, Farsi/Persian and Kurdish, with subtitles in English
(Discussion with faculty member Jennifer Saterlee after the film)
A government official, carrying a message from Iran’s president, travels across Iranian Kurdistan with his driver and a young guide on a mission to stop 111 young Kurdish women from committing suicide in protest against conditions that have left them spinsters. Racing against the clock, they travel into territory simmering with resentment at official neglect and the hardship it has sown among a proud people. Against a dramatically colorful physical and human landscape, wistful longing mingles with dreamlike desire and absurdist humor as the three travelers meander helplessly in a land riddled with contradictions.

Thursday, Dec. 12
96 minutes, China, in Mandarin, with subtitles in English
San Bao is a young man left behind by Beijing’s fabulous new wealth, having just lost his job, his apartment and the woman he loves (who’s left him for a richer man). Even Happiness, his dog, has run away from him. Lovelorn, self-destructive and desperately aimless, San Bao nevertheless has moments of euphoria amid his own despair, as he roams the sleek, shifting city with other soulful, cash-poor dreamers and misfits. Such heavenly losers form the vital spirit of Beijing in acclaimed director Zhang Yuan’s gorgeously gritty, angst-ridden portrait of youthful disaffection and perseverance in the teeth of heartbreak, ruthless inequality and unfeeling ambition.

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